In the crisp opening months of 2026, Jeff Koons reaffirms his status as contemporaryart's most enduring spectacle-maker. Still holding the record as the world's mostexpensive living artist at auction, Koons has orchestrated a season of reflectiveintensity and organic grandeur. His triumphant return to Gagosian Gallery—after afour-year interlude—anchors the period with the Porcelain Series exhibition, while hismonumental Split-Rocker blooms as a permanent public landmark at LACMA. With noseismic auction records in Q1 but steady edition interest and critical praise, Koons'market remains rock-solid, his vision undimmed.